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Film Analysis: Band Frontman Jason Williamson Takes On Role in Sceptical Look at 90s Rave Culture

Produced by Bristol sound co-founder the musician-producer, this sharp-edged though slight first film casts a critical gaze on the ecstasy-fueled club scene. Venal pillhead David (Marc Bessant) first robs an unconscious dealer, then in another flashback tries to burgle his own family home. Before you can say, he's overturned in the remains of his car in a forest – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with no time for city dwellers, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”

A Shaky Start and Grimly Amusing Duel

The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to free himself from his safety harness, while awkwardly transitioning into flashbacks of his everyday life. The central theme – that the rave-era youth were primarily out for themselves – is firmly made. But these brief episodes are too thin to properly prime us for what to expect when the Poacher arrives, enraged after David strangles his dog. Still, a darkly funny duel takes hold – David desperate to escape; the Woodsman denying his container of cider, intent on soaking him instead in resentful talk. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.

Visual Flair and Music Video Sensibility

There is only one important plot development, but it leads to a comically executed rampage on the forest trails that veers toward folk horror. Director John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing artful shots of insects in the light in the opening part, he now goes all out with the full psychedelic grand display, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.

Game is in UK and Irish cinemas from November 17.

About the author

Victoria Huff

A software engineer and tech writer passionate about AI innovations and digital transformation, with over a decade of industry experience.

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